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Marvel’s Daredevil on Netflix Review

Daredevil Top image

Netflix brings the Marvel Cinematic Universe to the Streets. New York City has never looked Redder.

Review By Skylar Stone. Scores by Skylar and Javin Stone

Disney’s Marvel buyout has had a long list of effects for the Marvel franchise, most surprisingly has been the Netflix connection which will result in 5 different 13 episode series. First in this series was Marvel Studios‘ reboot of New York’s blind brawler Daredevil.

The original Daredevil live action adaption was not taken well. Ben Affleck has only built up his movie profile since then but back in 2003 he was not a powerful superhero and the movie’s plot line did not help. Netflix and Marvel Studio’s new take on the Marvel Cinematic Universe reinvents not only the american devil but also the scope of the MCU.


Fox’s first attempt at Marvel’s Man Without Fear starring Ben Affleck. There is a reason there was not a Daredevil 2.

This review is based only on the first 6 episodes of the mini-series and warning the series is rated TV-MA.

Plot:DD logoDD logoDD logo

In the series so far, very little has been given to as why Matt Murdock’s hooded alter-ego is crime fighting but he does it well. The Netflix series takes notes from serious cable drama shows like Sons of Anarchy and Boardwalk Empire. Dark, gritty, and personal stories about struggle intertwine to create a compelling story but is still confusing. It seems odd to say but not much is needed in the way of back-story because so much happens in the episode to push the story organically through out the whole episode and the series still has time to complete the story.


Good thing he cant see how long the fall is, because if he could he would not be standing that close.

Unlike Agents of SHIELD, the series doesn’t rely on the MCU to make the plot relevant or important. I would like that Daredevil show a bit more of the MCU since it seems at this point to purposely avoid it to make Daredevil seem more out of place. Not a huge hit but definite room for improvement in a new vehicle for the Marvel Universe.

Characters:DD logoDD logohalf DD logo

Matt Murdock (Charlie Cox) is played in a way reminiscent to the Bruce Wayne/ Batman style, in which Batman is the true persona. Matt Murdock is used to further “Daredevil”, or as the series has called up to this point “Man in the Black Mask”, often to a painful end for Matt. Foggy Nelson (Elden Henson) is actually a very welcomed lighter character in the dark gritty New York filled with corrupt cops, dead bystanders, and gangs. This where the praise ends.


Vincent D’Onofrio is an impressive, imposing figure and great actor but is he a crime “Kingpin”?

Wilson Fisk or as any Marvel comic fan is aware “Kingpin”, is the hardest character to swallow. He is secretive, bumbling, and troubled while still being terrifying which I think is what they wanted and for that Vincent D’Onofrio was a perfect choice, except that he is a Super Mob Boss. A mob boss with enough power to own police, politicians, and the majority of the movers and shakers; can not also be small enough to be a background figure with crazy quirks. I know I am biased to the 90’s Spider-Man animated series portrayal of the white suited business giant which I feel was better portrayed by Michael Clarke Duncan in the 2003 film and out of the hated film seemingly withstood critics.

The other characters like Deborah Ann Woll‘s Karen Page and Vondie Curtis-Hall‘s Ben Urich seem to be Ok characters if in a show like Mad Men or a movie like State of Play, but stand out in Marvel Cinematic Universe. They seem added to add depth to the overall plot but just create more for the audience to wait through to get to the “Daredevil” plot.

Visuals:DD logoDD logoDD logoDD logo

Gritty is a mild description of this series given that the ABC shows Agents of SHIELD and Marvel’s Agent Carter look like Yo Gabba Gabba in comparison. While “Daredevil” has frequently been a dark series in the marvel comic universe, this seems almost too dark to be in the same space as Robert Downey Jr.‘s “Iron Man”.

Full black suit against a black sky. Any darker and it would become a radio play!

Full black suit against a black sky. Any darker and it would become a radio play!

Visually the series benefits from two aspects, the fighting and camera. Martial arts and fighting scenes have been changed with the improved choreography in movies like Captain America: The Winter Soldier and John Wick. This series is well aware of that is uses lots of martial arts scenes to show the skill of the fights and to keep the action level at max. Since Matt is blind the focus of the camera is sometimes not on the action but instead plays with the audio or range of vision and this works to show a more artsy impression to mindless action scenes.

Overall while the story is not fleshed out, some characters are a miss, and its a bit too dark Marvel’s Daredevil on Netflix breaks the mold and is doing it well. EAO gives Marvel’s Daredevil  3 and ½ horns out of 5.

Black is the new Red.

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DC’s Fall TV Takeover

Scores by EAO, Article by Javin Stone

Marvel may have the theaters in their pockets, but DC is trying to take the living room by storm. This review is over the premiere episodes of each of the three new shows being put out by DC this Fall season.


FOX Monday 9/8c



The weakest part of the show. Lots of room for improvement and it has gotten better in more recent episodes, but from the premiere alone it is a weak start.



The show may sell itself as a Bruce Wayne/Batman-less Gotham that is seething with corruption which is true. What is does not sell is the much more interesting aspect of seeing Bruce slowly killing is childhood innocence and becoming the brooding Dark Knight we all know and love. These scenes are usually brief and concise but could make the show worth it in the long run.



Marginally average in the modern age of TV. Nothing spectacular, besides the occasional mix of 1940’s atmosphere with modern devices. Nothing clicks in terms of the overall impression besides “gritty”.

Gotham Cast

The main cast of Gotham with Ben McKenzie as Gordon and Donal Logue as Bullock in the lead.


Fox’s take on the iconic city of Gotham before the rise of Batman definitely has room to improve, but could pan out to be a interesting show so be sure to keep an eye on it. The premiere is a bit weak but it does pick up and hopefully will continue the trend. EAO gives Gotham’s premiere 2 1/2 detectives out of 5.


The Flash

CW Tuesday 8/7c



Coming from the high of the first two seasons of Arrow, the Flash was doing better than most of this season’s premieres before it even aired. The hype did not hinder the plot as it is not afraid to show superpowers or full body suits; something most shows get heckled off TV for doing.



Again, a pretty solid display from Barry and the gang. In classic comic book fashion, some characters can be a bit bland or static, but the overlap to Arrow gives a larger chance to flesh out characters as well as the universe they live in. The potential for improvement as both shows continue is massive.



Yes, the Flash is probably the most likely of superheroes to have a legitimate reason to need a special suit, but the way it looks is where it stands above the rest. It isn’t cheesy, it looks better than velvet, and is accurate. A difficult trifecta for produces to wrap their heads around. Not to mention the visual difference of filming between Arrow and the Flash makes it feel different enough for it’s brighter world view, but still connected.

Grant Gustin as the Flash.

Grant Gustin decked out in costume as the Flash.


The Flash is an easy and obvious favorite in the DC shows coming out this season. The only thing to worry is if they can keep the winning streak rolling. EAO gives the Flash’s premiere 4 lighting bolts out of 5.



NBC Friday 10/9c



Overwhelmingly solid, yet a bit rough on the edges. If you’ve seen the first couple of seasons of Supernatural, then you have a good idea of how Constantine is going to play out. Not to say the plot episode and monster-of-the-week episodes pace of Supernatural is a bad way to do things, but it lacks the originality to push the score up higher.



An excellent display of an antihero practicing good the only way he knows how. The biggest downside is the character made to experience the world along with the viewers. She is flat and dull, but hopefully (no spoilers) it can improve.



Matt Ryan is John Constantine. No question, one of the best casted character in all of the comic book movies and TV shows. In contrast to Supernatural, the glyphs and symbols used in Constantine are much cleaner and precise. It may be a bit less practical, but as a designer it is pleasing to look at.

Matt Ryan as John Constantine

Matt Ryan as John Constantine in what could be a comic book cover.


A very promising show showcasing the paranormal side of the DC universe. We can only hope that Ryan reprises his role in the Justice League Dark movie (supposedly) in the works. EAO gives Constantine’s premiere 4 cigarettes out of 5.


The takeaway from this is enjoy the DC limelight while you can. Marvel may dominate three times a year, but DC will be in you living room more than three times every week.

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